James Franco

Get in, get out and leave with the ability to finally understand those obscure pop culture references.

With “Spider-Man: Far From Home” hitting theaters, it’s only appropriate to look back at the web-slinger’s storied on-screen history and separate the worst from the best.

In my case, reckoning with the past doesn’t mean climbing in an H.G. Wells-style time machine or a canceled car line from the ‘80s; it means understanding the importance of the poor decisions I’ve made. Even the small, seemingly easy to correct ones.

“Mid90s” is not a waste of your time. That may seem like a low bar for a movie to reach, but for what “Mid90s” appeared to be from the trailer, the bar is as low as the Marianas Trench.

Nile was struggling with the automatic flush for eight hours until he got it to finally work. He describes it as one of the worst experiences of his life.

The narrative of this year’s nominations has shifted towards a reflection of the Academy’s gradual emphasis on the necessity of progress in Hollywood.

I can’t stomach criticism that calls #MeToo a witch hunt. You can search and search: I just don’t think there are any witches to find.

It’s time for the Francos and the Ansaris of the world to not only claim to be feminist, but have their actions prove it.

The memories leave my lips tasting of lemon, sour knowing that they are in the past, yet sweet, knowing that everything that happened was transitory.

“It's a universal story. It's the story of anyone with a dream, outsiders with a dream trying to break in,” James Franco explained.