As an independent student newspaper and the paper of record for the city of Berkeley, the Daily Cal has been communicating important updates during this pandemic. Your support is essential to maintaining this coverage.
On April 23, UC Berkeley will be hosting an in-person Cal Day for the first time in two years. The day packed with in-person events will be held for newly admitted students and their families, giving them the opportunity to get to know their new campus.
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In a virtual press conference with The Daily Californian, deputy arts editor and senior staff reporter Taila Lee spoke to the night’s winners.
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Released Feb. 25, Squeeze is a grab bag of characters and stories, filtered through ’90s styles and delivered as an amalgamation of reaching and longing.
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The year now wanes into winter, but instead of letting the pearly crescent fall through my fingers, I’ll slip it into my pocket.
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With her debut album ‘Sour,’ Olivia Rodrigo redefined the boundaries of success for a new artist — an achievement that alone already earns the LP the title of pop album of the year.
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Head in the Clouds 2021 proved itself the strongest iteration yet of one of the newest festivals to emerge in the Los Angeles area.
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Day 1 was ruled by crowd favorites, with artists able to magnetically pull large audiences to their stages no matter the time of day.
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The entire night from start to finish was a breathtaking ode to Japanese Breakfast’s journey as a group, and it beautifully celebrated Zauner’s deserved success.
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Bridgers’ unvarnished and intimate songwriting style plays nicely with the MUNA’s persistent optimism, intermingling to produce a track awash with rose-tinted comfort.
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With the band’s latest, a radiant new album titled Jubilee, Zauner continues to reach new heights, arriving on the other side of grief with her most ambitious work to date.
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