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The Sundance program showcases a unique array of stories spanning genre and perspective. At The Daily Californian, arts reporters Vincent Tran and Megha Ganapathy and arts editor Maya Thompson have stepped up to explore this vast selection.
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Corbine’s winding narrative always keeps viewers in dreaded anticipation for the next big story beat and, more importantly, continues to surprise through to the end.
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Mattel’s performance was an excellent mix between a comedy show and a peek into ‘Barbara.’
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‘Barbara’ proves that Mattel is more than just a one-trick pony when it comes to music.
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There is an imbalance of moods that holds comedic authority in the brighter, more ridiculous segments, yet the movie loses its grasp when latched onto the macabre elements of the film’s development.
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“Customer service representative for Domino’s” is probably the most impressive part of my résumé. One time, I tried doing a ramen-eating competition and I got to the fifth bowl, which is not that bad. When Flappy Bird was still flapping its way into our hearts, I could get my score
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It’s a little off-putting to see a title card for Amazon Studios written in Woody Allen’s trademark Windsor font during the opening credits for “Cafe Society” — over jazz standards, no less. The new addition to the familiar Allen credit sequence serves as a glaring reminder that time has passed,
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The eco-friendly craze is ever growing, and those who are extreme supporters of simply making our planet better for future generations may not be all too excited for the new eco-drama “Night Moves.” Kelly Reichardt (“Wendy and Lucy,” “Meek’s Cutoff”) directs the film, which is about three environmental extremists carrying
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It’s not usual for a film like “The Double” to exist. It’s a murky, deeply philosophical tale based on an even more abstract Russian short story of the same name by Dostoevsky, but it features A-list actors and is directed by a British stand-up comedian. In today’s polarized film industry
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The promotional tag for “Rio 2” is “It’s on in the Amazon.” The only thing that was “on” about this sad heap of an animated film was the soundtrack, featuring amazing vocal work from the likes of Janelle Monae, Bruno Mars and B.o.B. Otherwise, the sequel to “Rio” (2011) was
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