‘The Debt’ reimagines Israeli espionage thriller

The saying goes that those who can’t do teach, and those who can’t teach make Holocaust movies. John Madden, director of such sappy, trophy-swiping schlock as “Shakespeare in Love” (1998) and “Proof” (2005), competently elevates “The Debt” from the constraints of that genre and into another: a dark, rich espionage
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