BERKELEY'S NEWS • SEPTEMBER 27, 2022

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Joel Edgerton

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Such politically charged material shouldn’t produce run-of-the-mill mediocrity. “Gringo” is as clueless as its protagonist.
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Such politically charged material shouldn’t produce run-of-the-mill mediocrity. “Gringo” is as clueless as its protagonist.
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Indeed, the biggest takeaway from “Bright” is that racism is wrong, a platitude we didn’t need to hear from white filmmakers Landis and Ayer.
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Indeed, the biggest takeaway from “Bright” is that racism is wrong, a platitude we didn’t need to hear from white filmmakers Landis and Ayer.
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Expectations were understandably high for “It Comes At Night,” — A24's latest horror film — and thankfully, director Trey Shults delivers. The pacing of Shults’ script is impeccable — though the epitome of a slow burn, there’s a white-knuckle fluidity to the series of wrong turns that result in the film’s devastating third act.
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Expectations were understandably high for “It Comes At Night,” — A24's latest horror film — and thankfully, director Trey Shults delivers. The pacing of Shults’ script is impeccable — though the epitome of a slow burn, there’s a white-knuckle fluidity to the series of wrong turns that result in the film’s devastating third act.
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