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Oculus reparo! After watching “Fantastic Beasts: The Secrets of Dumbledore,” it’s clear that David Yates’ vision needs some repair.
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his variety of songs ranges from harmonizing vocals and stunning instrumentals to obscure melodies and lo-fi study time vibes, perfect for students who are looking to diversify their music libraries.
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Overall, “The Clone Wars” is a wonderful way to experience nostalgia while also exploring new content in the “Star Wars” world.
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As the show frisks across parsecs in its first two episodes, the only character that remains constant is Pascal’s unsociable, stoic protagonist.
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This summer, the San Francisco Symphony continues its Film Series with live performances of music from “The Little Mermaid” and the original “Star Wars.”
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“Solo: A Star Wars Story” doesn’t do enough to justify its contested existence, and it fails to overcome its superfluity.
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The Greek Theatre wasn’t exactly packed, but those gathered ranged in age from about six to 60. The tangible pathos of Williams’ work is remarkably legible.
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Lockhart will be bringing the Boston Pops to the Hearst Greek Theatre on April 21 for a night of tribute to his famed predecessor.
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Visuals have gotten a lot of the credit for what is making films more immersive. Less obvious is the way scores have changed the way we engage with films.
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In his acceptance speech, Bryant took a swipe at Fox News host Laura Ingraham, saying that he was glad he did “a little bit more than” shutting up and dribbling. And I’m glad he did. I just have a note for him.
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