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It is delightful to feel the sizzling tension and power flashing off these women in bright, dynamic waves in scene after scene; their interactions are filled with the tingling awkwardness of class tension, an uncomfortably intertwined past and rare moments of understanding.
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The subtlety in the film is admirable — Gloria’s character development is soft but significant. But the script leaves more to be desired.
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Lelio was invigorated by the idea of a new “Gloria.” As he explained in an interview with The Daily Californian, his motivation came primarily from one source: Julianne Moore.
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While entertaining in parts and visually appealing throughout, “Suburbicon” never becomes a thoroughly satisfying social satire.
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This is a movie for anyone looking to feel uplifted by the adorable kids adventuring through New York, overcoming struggle.
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And while Vaughn has packed plenty of ass-kicking into his 2-hour, 21-minute behemoth of a sequel, it’s Vaughn himself who’s had his ass kicked this time around.
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Somehow, all of this could have been forgiven — and, dare I say, enjoyed — if the film actually leaned into its campiness.
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In a summer filled with superheroes, magic wands and fighting robots, “Crazy, Stupid, Love” stands out as a film with real characters going through familiar on-screen situations, all handled with a certain amount of charm. Add an ensemble cast, filled with Hollywood’s A-list actors and a surprisingly mature script from
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