That’s a Wrap: Movie releases you might’ve missed in September

From big-name blockbusters to festival favorites, September brought an influx of diverse films to a variety of streaming services and online platforms.
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From big-name blockbusters to festival favorites, September brought an influx of diverse films to a variety of streaming services and online platforms.
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In honor of Saoirse Ronan’s 26th birthday, we at the Clog have cooked up a quiz to help you determine which of the four-time Oscar-nominated actress’s films to watch.
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At that age, I didn’t really know what a gay person was. I had grown up watching “The Birdcage” and “Will & Grace” with my mercifully liberal family.
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Conductor Thiago Tiberio led the orchestra through interjected musical passages from the film as it was projected onto a large screen above the stage.
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For me, “Pirates of the Caribbean” defined the best of what blockbusters could be.
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“The Aftermath” largely ignores this difficult world, instead lazily smushing a painfully awkward affair together with shoddy political side-stories. We the audience are left with a frustrating mess that, at its worst, is little more than misguided Hallmark soap.
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Colette’s sexuality is what allows the film’s narrative to unfold. Her queer identity is what allows the audience to get to know Colette and her associations and aspirations.
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The fear of the future and messing with the “natural order” of things has been inspiration for a whole range of movies, ranging from terrible, Luddite-like fantasies to movies questioning humanity and its relation to science.
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When I was 11, I would’ve sold my soul for a nose job. There isn’t anything particularly hideous about my nose. Its bridge rises higher than most Asian noses, forming a little bump before declining into a bulbous, downward-sloping tip. Its round shape even allows me to move the cartilage
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Imagine a woman who simply does not want to grow up — so much so, in fact, that she ends up befriending a group of high schoolers in an attempt to escape the complexities and crises of her own life. Such is the premise of “Laggies,” directed by Lynne Shelton
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