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The final night of Outside Lands saw Kehlani, Rüfüs Du Sol and Tame Impala live up to the hype with some of the most arresting, ethereal and psychedelic headline performances worthy of top-billing.
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Yachty’s ambitiousness gives the tune another life — ultimately, it’s a breath of fresh air.
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The band’s inclusion of plentiful growling synths as well as delicate piano, fast drum beats and muted yet vibrant vocals across the album don’t allow for a single boring moment that loses your attention.
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While the complexity of Tame Impala’s artistry may seem difficult to perform live, its performance sounded just as good, if not better, than the recordings.
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Here, the Weeknd has finally managed to effectively blend his vision of sad boy R&B with powerful ’80s synth pop, resulting in his best material since 2011’s House of Balloons.
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Tame Impala’s headlining set Sunday at Treasure Island Music Festival was a fitting end to the weekendlong spectacle. The band’s minimalist, charismatic stage design and live performance culminated in a trippy yet immersive event that tore down the confines of the stage and mesmerized the gargantuan audience.
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Bang. A boy on the streets knows he has to keep moving. He’s got to keep his head down as he makes his way along the concrete streets and past the dark buildings as he walks to school. The sound is nothing new. Only 12 years old, and he’s become
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