Killing Eve

Was it always a game? It didn’t feel that way before season four of “Killing Eve,” which aired its final episode on Sunday, April 10.

Waller-Bridge, the actress-writer (and this season, executive producer), was hyper-aware of the psychopathic tendencies of her lead killer — a role that, in season four, has slid into the familiar archetype of the hurt ex. 

There always seems to come a point when Eve (Sandra Oh) makes her way even further down the rabbit hole — down what, over four seasons, has marked a steep descent for the former MI6 agent. But, episode six brings her worst digression from morality yet.

Three episodes in, and there’s no clearer picture about what exactly went down between Villanelle and Eve. As the season progresses, “Killing Eve” has viewers wondering whether this is just a pipe dream — and what will happen if Villanelle realizes that.

The Academy of Television Arts and Sciences will likely be handing out awards to some long-deserving titles formerly overlooked in the era of “Game of Thrones” and “Veep.”

The surprising success of “Fleabag,” along with a historic win for Billy Porter, made this year’s Emmys ceremony a pleasantly entertaining affair.

To viewers' pleasure, Comer and Oh never shy away from delivering the alchemical magic, born of skill and what sometimes feels like what must be pure luck, that it takes to breathe life into the characters.

The 71st annual Emmy Awards finds television’s best shows at a crossroads.

From beloved TV characters coming out, to critically acclaimed queer cinema, to explicitly queer music releases, here are the 18 gayest moments of #20GAYTEEN.

We are presently in a golden age of television. It would be nearly impossible for one person to sort through all of the television at our fingertips and decide what is or isn’t the best. This is where the Emmy Awards come in.