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Following, even perhaps overshadowing, the long thread of issues with “Miss Saigon” is its appraisals — the dazzling show tunes and choreography, sumptuous stage design and the undeniable technical feat of the production.
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Kali Uchis began her set from behind a curtain, her silhouette perfectly framed by a spotlight, the stage lit by red floor lights. Arching her back as she cooed the opening of “Dead To Me,” she soon cut through the curtain’s central split and appeared.
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It’s election season at UC Berkeley, which we all know is the worst — worse than midterms. Why? Get ready for an onslaught of Facebook profile pictures showing support for this or that candidate (organizations referenced in Facebook captions are for identification purposes only).
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