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BERKELEY'S NEWS • FEBRUARY 02, 2023

Ring in the New Year with our 2023 New Year's Special Issue!
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Kurt Cobain

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If Allison’s 2020 release Color Theory was a haunting self-portrait of isolation and loss, then her 2022 project is a self-aware, supernatural drama that makes peace with a bleak future.
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If Allison’s 2020 release Color Theory was a haunting self-portrait of isolation and loss, then her 2022 project is a self-aware, supernatural drama that makes peace with a bleak future.
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Riding off the release of her debut EP Off the Rails, Wallice dedicated the beginning of her set to her magnetizing brand of indie pop.
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Riding off the release of her debut EP Off the Rails, Wallice dedicated the beginning of her set to her magnetizing brand of indie pop.
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Every string I strum, each note and each new chord I discover helps remind me that even in quarantine, there’s still a lot of life out there to be lived. 
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Every string I strum, each note and each new chord I discover helps remind me that even in quarantine, there’s still a lot of life out there to be lived. 
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At the 50th Grammy Awards in 2008, Winehouse took home the prize for best new artist as well as the song of the year and record of the year awards for “Rehab.” While Winehouse became a cultural phenomenon worldwide, her impending doom became evident as the lyrics of Back to Black manifested into real-life events.
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At the 50th Grammy Awards in 2008, Winehouse took home the prize for best new artist as well as the song of the year and record of the year awards for “Rehab.” While Winehouse became a cultural phenomenon worldwide, her impending doom became evident as the lyrics of Back to Black manifested into real-life events.
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Not wanting the night to end, Dead Sara lead singer said, “Convince me to stay here” to the Slim’s crowd. As the next song started, she said, “I wanna lick all of your faces.”
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Not wanting the night to end, Dead Sara lead singer said, “Convince me to stay here” to the Slim’s crowd. As the next song started, she said, “I wanna lick all of your faces.”
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Bathed in pastel pink and green lighting and crowded onstage at Bottom of the Hill last Wednesday night, the five-piece Australian band disregarded the constraints of the tiny space and let personalities run on high.
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Bathed in pastel pink and green lighting and crowded onstage at Bottom of the Hill last Wednesday night, the five-piece Australian band disregarded the constraints of the tiny space and let personalities run on high.
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