‘Crimes of the Future’ shines with palatable body horror, minimalistic noir

“Crimes of the Future” is a palatable oddball film grounded by Cronenberg’s directorial skills and a talented ensemble.
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“Crimes of the Future” is a palatable oddball film grounded by Cronenberg’s directorial skills and a talented ensemble.
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The fall’s deluge is only getting started, however, and film beat reporters Joy Diamond and Dominic Marziali have a few more for your consideration.
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Benoît Jacquot’s French-language “Diary of a Chambermaid” is a singularly atrocious film. It centers on the chambermaid Célestine (Léa Seydoux, “Blue is the Warmest Color”) and her professional and not-so-professional dealings with her bourgeois employers in the French countryside around the late-19th century. Based on the 1900 novel of the
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As you wait impatiently for next year’s “The Grand Budapest Hotel,” enjoy Wes Anderson and Roman Coppola’s whimsical short film for the upcoming fragrance, Candy L’Eau. In their fifth project together, the pair have created three charming short films entitled “Je m’appelle Candy.” The films are each only just over
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