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After my family learned I was a lesbian, I separated myself from church because of their homophobic treatment toward me. But now that I’ve become aware of its true history and purposes in Latin America, not only do I not want to be associated with it for its homophobic rhetoric, but also for its undeniable role as colonizers.
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I’m not ashamed of disclosing my sexual orientation anymore. I now can confidently take my girlfriend’s hand and kiss her in public and no longer tremble when someone condemns me, saying I’m going to hell or calls me a bull dyke.
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The flashy aesthetic of the show, in general, reflected Gomez’s confidence in her identity and enthusiasm for her job. Marga Gomez is undoubtedly an exceptional role model and a shining darling of the LGBTQ+ community.
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What most strikes anyone watching “The Miseducation of Cameron Post” is its abrupt moments of humor, given the film’s melancholy subject matter.
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“Insatiable” is 12 episodes of circular storytelling, vapid attempts at satire, and a whole lot of 20-somethings masquerading as teenagers.
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It isn’t difficult to immediately be captivated by the very concept of Theatre Rhinoceros’ “Oedipus at Palm Springs,” a modern reimagining of “Oedipus Rex.”
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I am a 68-year-old dyke, a UC Berkeley staff retiree. I came out in New York City in 1971.
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GRLwood’s latest album, Daddy, features simple melodies, catchy bass lines and lyrics that will tickle your soul — then shatter it.
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“Freelancers Anonymous” is a low-budget indie flick that’s explicitly queer, but the film is flawed from its building blocks.
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Although I felt validated, I also felt on edge, waiting for the narrative to end. I was anticipating the inevitable destruction of their relationship because that’s what normally happens to queer folks in pop culture.
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