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Despite any allure that may be lost in this more explicit literary approach, “Evening” is a page-turner that instills a hope amid even the most dire and final of circumstances.
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It is interesting to consider how, and to what degree, can a moment in time somehow morph into an expression that will last for years to come.
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“Parakeet” touches on the near-insolvable crises tangled within the enigma that is the human condition.
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One of the most tremendous accomplishments of Bollen’s fourth novel is the depth of its characters.
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“I have a lot of anxiety around speaking, so working in the short form allows me to empower language with very little,” Polek said.
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In “Cleanness,” a person is only as important for their actions, reducing the importance of names and other preset labels.
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Some of the most important works in the horror genre are retroactively letting the skeletons out of the closet, and this raises an inevitable question: Now that we’re out, where do we stand?
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I have been considering the microphysics of apocalypses. Not blazing lights and the pale horse of Judgement Day, but smaller devastations.
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Every semester in The Daily Californian’s arts & entertainment department, we welcome a new batch of beat reporters. While they will spend the semester reporting on a multitude of different projects and exhibits specific to their expertise, they rarely have the opportunity to focus on their topics on a small scale.
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The question on everyone’s mind, though, is not whether “Artemis” is scientifically accurate — that much is expected. Higher on the docket is how this sophomore effort compares to first novel “The Martian.”
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