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“Fuck Anyone Who’s Not a Sea Blob” is a beautiful visualization of Jules’ journey toward expressing her true self, rather than what others expect of her.
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Growing up in early-2000s Texas, I didn’t typically resonate with the music that surrounded me.
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On his new album, Gray tackles the struggles of growing up — from heartbreak to angsty frustration — and strives to become the voice of the unheard teenager.
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While you’re at it, why not check out Pitchfork’s list of Lizzo’s 10 best flute videos?
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Mitski’s show Saturday night at The Warfield in San Francisco was a perfect reflection of her musical ethos — her unabashed refusal to hide her personality while performing made for an intimate yet distant experience that mesmerized her die-hard audience.
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What Merton proved with “Holes” is that even sad songs can be successfully upbeat with the right attitude and instrumentals. Another thing her band proved is that you don’t need to be playing a bass to execute amazing bass lines.
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Writing about art put me close to so many artists. It was exhilarating. But I was only ever close.
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Head In The Clouds nails the carefree summer feel, and nostalgic sounds feature heavily. It’s a low-stakes, passably entertaining pop-rap album.
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I’ve never particularly like the way blue cheese tastes, sweet and tangy in an instant, leaving something smoldering on your tongue after you’ve swallowed.
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BTS’ latest, Love Yourself 轉 ‘Tear,’ the last of a triptych of albums, is not what we would expect for its triumphant American breakthrough.
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