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This 2021 musical adaptation combines elements of New Orleans jazz, ’80s pop and traditional show tunes for a whirlwind journey through the mythical city of Illyria.
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With the long Thanksgiving weekend coming up, this is the perfect time to watch (or rewatch) some of the biggest Broadway hits that made it to the big screen.
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“Mamma Mia!” brings in audiences with its retro musical numbers and gleefully soapy plot — two charming factors that Berkeley Playhouse’s adaptation mostly manages to capture.
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Why, yes, it looks like their room for the night is located in a windmill! And we have a winner!
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“Cabaret” would fail to ride the wave of its surprise win, losing out to the old “razzle dazzle” of 2002 Best Picture winner “Chicago” as Rob Marshall’s tale of merry murderesses made its way to the Final Four.
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It’s really, really hard to botch a production of “Mamma Mia!” but that’s not to discredit the delightful work of Center Rep. A massive part of this show’s success can be attributed to the vocal power of its cast.
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As members of the blog community and a part of the Daily Cal organization, this is highly accurate. We at the Clog say, “Go Greek or go home!”
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It seems passé at this point to make an ABBA pun regarding “Mamma Mia! Here We Go Again.” But then again, how could one resist?
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Mamma mia! Here the Clog goes again! My, my, how can you resist us?
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Before we get our “Mamma Mia!” on, we’re all going to want a snack, right? And what’s better than some delicious Greek daktyla?
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