
Riding the carousel with Lorde
Few artists have been able to capture the fraught tension of growing up the way Lorde did in six simple words: “It feels so scary getting old.”
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Few artists have been able to capture the fraught tension of growing up the way Lorde did in six simple words: “It feels so scary getting old.”
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It can be nerve wracking to share such personal stories, and Humberstone is learning to embrace the magic that her music’s universality holds.
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Many consider Lorde’s latest balmy record to be the antithesis of its austere predecessor, but the albums have more in common than meets the eye: Enter the sublime.
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Previously having struggled with the ironic solitude that comes with fame, Lorde advocates for healthy escapism on her latest record.
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With the release of two songs in the span of two months, Lorde had swiftly prompted the transition of hot girl summer into sad girl autumn.
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The song is a manifestation of her happy place on the beach without a care in the world, and it’s a way of life we all should truly be living.
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Context means everything when it comes to cross-cultural representation. Without context, the beauty and intention of art is lost; the artist is forgotten.
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When I lie on my bed, alone and surrounded by the furniture I built for myself when I was first alone, I think I feel comfortable the way Lorde says she is.
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Yet the more time I spent with the melodramatic heartbreak melodies, I realized there were more than two genres of breakup music.
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While American politics may continue to divide, music in 2017 amplified oft-marginalized voices, providing a glimmer of hope, however small, for 2018.
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