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“Kajillionaire” does have echoes of some of the lesser “Ocean’s” movies, though — it too attempts to patch over its purposelessness with a shallow payoff at the end.
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It has been a long six years since we have seen a feature film from Miranda July, the coyly svelte poster girl of independent cinema. But in the time since her debut feature “Me and You and Everyone We Know” (2005), July has been a busy little bee, toiling away
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There was something so Miranda July-esque in learning that I’d only have 20 minutes to interview Miranda July, and that I’d be sharing those 20 minutes with another person. But … why? I thought. I’m so close. I was reminded of a moment in her debut film “Me and You
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