
Electric Guest grooves its way into our hearts
Friday | Twin Peaks Stage
Taccone brought a vivacious energy to his performance, in particular with his groovy dancing, which was perfectly in sync with his band’s easygoing style.
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Taccone brought a vivacious energy to his performance, in particular with his groovy dancing, which was perfectly in sync with his band’s easygoing style.
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He had a comment for practically every single song. That is, every one except “Riptide” — nobody needed an introduction to that one.
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Piping-hot tea awaited Fleet Foxes frontman Robin Pecknold before he made his way onto the Sutro stage on Saturday afternoon. He was joined for the band’s Outside Lands set by fellow band members guitarist Skyler Skjelset, keyboardist and mandolin player Casey Wescott, as well as several other touring musicians and
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While the band’s performance was relatively low-key, its music is energetic and electric — and live, the pure talent of the young musicians is even clearer.
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Foxygen is a pseudo-avant-garde and semi-psychedelic indie-rock band from Southern California. Formed in 2005 while frontmen Sam France and Jonathan Rado were in high school, the band has had several years — despite its youth — to explore every corner of the genres it has thrust itself in. At Outside
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Crowds gathered around Land’s End stage long before Young the Giant began its set on Sunday afternoon as excited fans awaited the band’s genuine, animated performance. Young the Giant was formed in 2004 by vocalist Sameer Gadhia and guitarist Jacob Tilley. The band opened with “Amerika” off its most recent
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It isn’t easy to approach a festival as big and daunting as Outside Lands, but The She’s tamed it and cut it down to size, to the well voiced approval of the crowd, proving that the band’s sound and style can hold their own.
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Watching Future Islands frontman Samuel T. Herring onstage is a bit like watching performance art — particularly, watching a performance of Dr. Jekyll and Mr. Hyde.
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The prospect of effectively opening for Metallica is undoubtedly intimidating — but Cage the Elephant was well up to the challenge. The modus operandi of lead singer Matt Shultz has seemingly always been to take whatever relevant dials might exist and crank them to 11. As the band roared to the
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They walked onstage to their rigs, played through a set that featured no breaks — each song blending into the next — and left.
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