As an independent student newspaper and the paper of record for the city of Berkeley, the Daily Cal has been communicating important updates during this pandemic. Your support is essential to maintaining this coverage.
With drive-in concerts, regular livestreams and possibly even a live album to tide fans over, Bayley feels that the intimacy of live shows is being compromised.
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For all the mythologizing and storytelling of artists and addicts, it will end in naught but death — so say The Flaming Lips.
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‘Gold Record’ is at its best when it follows a formula: wry atmosphere built on a fleshed-out world, tinged with heartfelt connection and homespun truths.
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‘1999’ isn’t particularly revolutionary or an in-depth look at what has become of a 21-year-old internet sensation.
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‘No Ceilings’ fails as a reissue. Every possibility of improvement upon the original album was rejected. Every change was for the worse.
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Released Aug. 28, the EP features three dynamic songs drenched in reflective feelings of summertime, but with an uncanny sense of freedom moving forward.
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A distinctive convergence somewhere among folk, indie and pop, the EP serves as a charming departure from Day’s singular alternative pop persona.
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This aptitude for arena-worthy music makes Imploding the Mirage an overall exhilarating experience, one that offers much needed escape, excitement and hopefulness.
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We’ve seen a constant stream of female artists dropping heat this summer. Take this quiz to find out which one you most closely resemble.
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When Kali Uchis and Rico Nasty bring out their stiletto heels and brass knuckles for a music video, you already know the song means business.
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