Knox Fortune dials up exuberance to 10 on ‘Stock Child Wonder’
In a time when almost everything feels uncertain, the music of Chicago indie pop artist Knox Fortune breaks through the haze and cuts straight to the feeling.
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Flo Milli talks young fame, future plans, The Cheesecake Factory
Flo Milli is rising alongside a wave of female artists and game changers redefining rap for the new age.
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Sufjan Stevens delivers monotony on ‘The Ascension’
Stevens has excelled in the past with a variety of different, sometimes abrasive, sounds. And yet, on The Ascension, that purpose is never made clear.
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Glass Animals’ Dave Bayley talks ‘Dreamland’ inspirations, engaging with fans amid pandemic
With drive-in concerts, regular livestreams and possibly even a live album to tide fans over, Bayley feels that the intimacy of live shows is being compromised.
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The Flaming Lips’ ‘American Head’ is sobering tragedy
For all the mythologizing and storytelling of artists and addicts, it will end in naught but death — so say The Flaming Lips.
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Bill Callahan spins cozy yarns with album ‘Gold Record’
‘Gold Record’ is at its best when it follows a formula: wry atmosphere built on a fleshed-out world, tinged with heartfelt connection and homespun truths.
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Rich Brian attempts to grow up with ‘1999’
‘1999’ isn’t particularly revolutionary or an in-depth look at what has become of a 21-year-old internet sensation.
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Lil Wayne’s ‘No Ceilings’ is more cynical product than album
‘No Ceilings’ fails as a reissue. Every possibility of improvement upon the original album was rejected. Every change was for the worse.
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Goth Babe’s latest EP satisfies ears, feeds soul
Released Aug. 28, the EP features three dynamic songs drenched in reflective feelings of summertime, but with an uncanny sense of freedom moving forward.
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Zella Day stuns with heavenly EP ‘Where Does the Devil Hide’
A distinctive convergence somewhere among folk, indie and pop, the EP serves as a charming departure from Day’s singular alternative pop persona.
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