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“Heartstopper” is the epitome of a young queer love story that is incredibly entrancing, joyfully pure and a magical portrayal of one’s first relationship.
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So what is living away from home really like? A trial-and-error process. And I definitely made more errors than anything else.
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February is not short of hidden gems, and film beat reporters Joy Diamond and Emma Murphree are here to give input on which new releases shouldn’t — or maybe should — go under your radar.
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If I discover my ideals and stay true to them in my work and our study, I’ll be able to look back on myself each new year and know that, no matter what, I worked for something worthwhile.
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“Cowboy Bebop” is inconsistent and gets in its own way. Character development is haphazardly accelerated through poor editing and direction.
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As an international student, I’ve had my fair share of long flights. Although they may not be the most pleasurable, they’ve gotten easier over time.
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From unrealistic circumstances to a hasty ending, the film fails to distinguish itself from other derivative action movies.
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These emotional states evoked by Chastain are as potent an actor could desire from their observers, signaling possibly the most prominent talent in the industry today.
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When the story falls flat — and it often does, following the tradition of highly saturated, confectionary holiday films — it covers itself in the warm winter coat of Christmas cheer.
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“Tiger King 2” is a passive observance of comedic disarray, giving no new insight and taking too few risks.
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