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The reunion is a welcome escape for fans of the series, but it offers little in the way of novel ideas or reflections on how the show is relevant to politics today.
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All of these shows have one common denominator: They displayed a queer storyline that was just starting to blossom, and then, despite their popularity, they were axed.
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“Vampires vs. the Bronx” is full of laughable moments; the more heartwarming scenes highlight what it means to be a community.
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In an era of one Netflix production after another, “The Binding” is, well, just another. Nothing about director Domenico Emanuele de Feudis’ Netflix debut screams extraordinary.
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With thought-provoking messages, complex characters and songs that will stick with you once you’ve finished the season, “Julie and the Phantoms” is sure to inspire a new generation.
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“But your 20s are your golden years! The time to explore yourself, take risks, be spontaneous!” So far, it doesn’t quite seem like it.
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There’s an argument to be made that many, maybe even most shows are at their best in earlier seasons, when the magic is still new to viewers.
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Between its flashy, technicolor visual sequences and admittedly excellent fight choreography, “Project Power” nods to more compelling thematic material — but, the film is content doing very little with it.
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In light of the COVID-19 pandemic, the upcoming election and national conversations about racism and justice, the Berkeley Forum has organized a lineup of a diverse range of professionals and experts to speak in fall 2020.
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Unlike other sequels, “Korra” perfectly introduces an entirely new storyline while maintaining what made “Avatar” special.
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