Nirvana

Otherworldly, each electric pulse seemed the prelude to a second coming, setting the stage for Jawbreaker’s reawakening after 26 years in the darkness. 

Doused in vibrant watercolor lights, Still Woozy transformed The Warfield into a punch-drunk ode to summer — the kind of balmy respite swollen from sap and liquid smooth. 

Riding off the release of her debut EP Off the Rails, Wallice dedicated the beginning of her set to her magnetizing brand of indie pop.

Diving deeper into the realm of the personal than ever before, Poppy drops one of the many veils that serve to distract her observers from knowing her true self.

The album is a delightful listen where Misch’s talents as a musician go beyond the work he has produced in the past, pulling from genres outside the realm of R&B guitar.

100 gecs is an unapologetic reflection of an unapologetic youth, a frustrated and angry generation who has seen its predecessors either actively destroy the world or do nothing to contribute to its survival.

When campus senior Connor Killion first came to UC Berkeley, he was Catholic. When he returned home, he was a practicing Buddhist.

The crowd was smaller than the usual show at Cornerstone, but the enthusiasm of the audience filled the space just as much as a sold-out concert would have. Welles gave a laid-back, musically solid performance ultimately worthy of a packed venue.

Aoki’s house music has stayed fresh and relevant. Despite the mainstream success he has achieved, he still profusely showed his love for his fans.

Bathed in pastel pink and green lighting and crowded onstage at Bottom of the Hill last Wednesday night, the five-piece Australian band disregarded the constraints of the tiny space and let personalities run on high.