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The qualities of a stoner-approved flick are varied, but we’ve narrowed the rubric to include three main camps: the mind-bending, the absurd or the outright, unintentionally hilarious.
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It’s not so much that the film’s points are vague as it is that they lack direction.
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“Thunder Force” is Falcone’s signature raw chicken filmmaking to its core. The real superpowers belong to those who can enjoy it.
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Although ‘The Witches” may not be as scary and dark as the novel or the ’90s adaptation, the film still has a chance of bewitching you.
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With the general consensus that there were no major snubs in this year’s Academy Awards nominations, category predictions become all the more interesting.
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The film’s narrative challenges its apparent attempt at seriousness, but there’s no question as to whether “The Shape of Water” is visually stunning.
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Even though “Gifted” merely repackages familiar sentiments, the characters delivering them are interesting enough to maintain our engagement.
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At the end of the day, “The Shack” is perfectly average fare. It’s definitely not trying to be a stand-alone masterpiece, but as a book-to-movie adaptation, it doesn’t translate well onto the big screen.
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The first scene of “Hidden Figures” doesn’t look great for Katherine Johnson, Dorothy Vaughan and Mary Jackson, three female African-American mathematicians working for NASA in the early 1960s. Vaughan is doing some quick repairs on the baby blue Chevy Impala they share, which rests inanimate on a lonely stretch of
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Following the successful film release of “Divergent” (2014), Veronica Roth’s book series sees its second film debut with the sequel “Insurgent.” Picking right up where the first film ended, director Robert Schwentke (“Red”) takes the viewer on a journey as he explores the world of post-apocalyptic Chicago. While also delving
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