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At that time, being Chinese was just a part of who I was, a culture and language I was proud of. As one of the only Asian kids in my grade, I knew most kids at school didn’t bring sticky rice wrapped in bamboo leaves for lunch or recite Li Bai’s poems at Saturday school.
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During the panel discussion, Blackwell elaborated on his transition, noting his struggles with self-esteem and realizing he had a talent that could be an inspiration to other people.
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Having neurotypical people represent neurodiverse roles feels belittling to me. It reduces something so complicated, so nuanced, so weird and beautiful, into a personality trait. Suggesting that autism is a definitive personality trait that anyone can portray, even if they aren’t autistic, isn’t authentic representation.
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While it might not be the most exciting aspect of the political landscape, it provides invaluable support to many communities that need it.
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Ethics should not be a reactionary consideration after something cataclysmic like misclassifying a dark-skinned person as a gorilla.
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We talk about a school-to-prison pipeline and we learn about racist motives of neoliberalism. But the campus seems to not act against its anti-Blackness or its colorism.
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If I could somehow insert a heavy sigh here, I would, because it amazes me how intolerant we still are — it is 2019 and we can’t seem to accept a Black Ariel without it being controversial.
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For Wang, truth in “The Farewell” has more intimate ties to replicating a specific sense of experience than to portraying exactly what happened when.
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If the campus is serious about its commitment to bettering the student experience, it must dramatically increase the number of non-male faculty members and faculty members of color they hire.
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The political statements in 2018’s film, music and television have transcended party lines to make up mass media that compels and entertains, and its creators deserve some recognition.
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