daily californian logo

BERKELEY'S NEWS • MAY 24, 2023

Apply to The Daily Californian!
tag

San Francisco Symphony

Page 1 of 5

Wang played with the kind of intense virtuosity that felt like she was beating Rachmaninoff to the punch. Her touch was precise and resonant throughout the concerto, and her fingers moved with the quick dexterity of a hummingbird.
featured article
Wang played with the kind of intense virtuosity that felt like she was beating Rachmaninoff to the punch. Her touch was precise and resonant throughout the concerto, and her fingers moved with the quick dexterity of a hummingbird.
featured article
The lion dances, fortune-telling and rabbit petting zoo in Davies Symphony Hall were all mere prologues to the San Francisco Symphony’s sweeping Lunar New Year festivities on the night of Feb. 5th.
featured article
The lion dances, fortune-telling and rabbit petting zoo in Davies Symphony Hall were all mere prologues to the San Francisco Symphony’s sweeping Lunar New Year festivities on the night of Feb. 5th.
featured article
The SF Symphony’s performance on Jan. 7 astonished as a special extension of “Jurassic Park,” a live version of a behind the scenes experience.
featured article
The SF Symphony’s performance on Jan. 7 astonished as a special extension of “Jurassic Park,” a live version of a behind the scenes experience.
featured article
On Dec. 1, the San Francisco Symphony played the symphony to end all symphonies: Ludwig van Beethoven’s “Symphony No. 9.” The German composer’s widely-regarded masterpiece was preceded by two works new to the SF Symphony: Samuel Taylor Coleridge’s one-movement “Ballade,” and Michael Abels’ “Emerge.” 
featured article
On Dec. 1, the San Francisco Symphony played the symphony to end all symphonies: Ludwig van Beethoven’s “Symphony No. 9.” The German composer’s widely-regarded masterpiece was preceded by two works new to the SF Symphony: Samuel Taylor Coleridge’s one-movement “Ballade,” and Michael Abels’ “Emerge.” 
featured article
Under the glow of a waxing crescent, San Francisco Symphony conjured the raucous spirit of Halloween on Oct. 28 for the “Frankenstein and Psycho” concert.
featured article
Under the glow of a waxing crescent, San Francisco Symphony conjured the raucous spirit of Halloween on Oct. 28 for the “Frankenstein and Psycho” concert.
featured article
Explosive and comprehensive, Wang played with unflappable virtuosity. She conquered epic ascending and descending runs, and she struck thick, stacked chords in rapid succession.
featured article
Explosive and comprehensive, Wang played with unflappable virtuosity. She conquered epic ascending and descending runs, and she struck thick, stacked chords in rapid succession.
featured article
featured article
featured article
Morlot’s rendition deftly captured Ravel’s maddening and plucky grandeur, from the dissolute and muddy majesty of the trombone to the cutting sweep of violins.
featured article
Morlot’s rendition deftly captured Ravel’s maddening and plucky grandeur, from the dissolute and muddy majesty of the trombone to the cutting sweep of violins.
featured article
The San Francisco Symphony enwrapped attendees in a uniquely remarkable experience of Selena’s greatest hits.
featured article
The San Francisco Symphony enwrapped attendees in a uniquely remarkable experience of Selena’s greatest hits.
featured article
When the Symphony has the opportunity to play with a full orchestra, Davies’ cavernous hall turns into a cornucopia, offering a multi-course meal of sound and texture galore.
featured article
When the Symphony has the opportunity to play with a full orchestra, Davies’ cavernous hall turns into a cornucopia, offering a multi-course meal of sound and texture galore.
featured article