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Packed with punchy synths, a host of grade-A features and lyrics about growth and change … Flower Boy is all about Tyler laying claim to his own softness.
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It’s the height of summer, but theaters around the Bay Area are currently resplendent in a wide variety of amazing pictures right now, from tentpole superhero movies to quiet, meditative micro-budget films
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The normalcy of Peter Parker (excellently portrayed by bright-eyed Tom Holland) carries this film and helps create a new blueprint for superhero movies — movies more interested in the lives of all of the people, rather than the spectacle of putting those lives at stake.
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“The Beguiled” is a true testament to the woman behind the camera — a film with inspired visuals and masterful performances, and which imparts a needed feminist stamp on a story (the 1971 film starring Clint Eastwood, based on Thomas Cullinan’s novel of the same name) originally known for its pulp alone.
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“GLOW,” in many ways, serves as a type of spiritual successor to “Orange is the New Black” and carries the mark of Kohan and her fellow writers.
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Sharing immigrant and minority stories is more important than ever in today’s political climate, and “Nadie Nos Mira” offers a tender, slice-of-life perspective on the struggles of loneliness, sexuality and the immigrant experience.
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The film overthrows the tropes of typical high school films: gym class snafus, cliques of outcasts and athletes and ignorant bullies.
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At the premiere of his film for Frameline’s San Francisco International LGBTQ Film Festival, Francis Lee emphasized that Yorkshire is a place that is dearly personal to him.
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