Shonda Rhimes

“Bridgerton” exemplifies the escapism of period dramas but fails in pivotal moments to crescendo to a greater climax.

We at the Clog have crafted the perfect February book bucket list for you, full of the women authors we adore, so pick your jam and cuddle up while the rain is coming down!

Cynicism has officially reached new heights on the UC Berkeley Memes for Edgy Teens page, which can mean only one thing: midterms are upon us, folks. On the upside, "Grey’s Anatomy" is back this week for its 15th consecutive season.

Step outside of Scranton and into some other series that take place almost entirely at work.

Janelle Monáe’s most recent album is more than an album, and to simply listen to Dirty Computer is to miss so much of the genius of Monáe’s vision.

The narrative of this year’s nominations has shifted towards a reflection of the Academy’s gradual emphasis on the necessity of progress in Hollywood.

We should all be thankful for shows like “Grey’s Anatomy,” and we shouldn’t discount the power of television and film to explore diverse experiences.

Whether on our laptops or in our living rooms, television has always been a space of escape, in which our ideologies are reflected back to us.

This week’s episodes are the midseason finales for both “Grey’s Anatomy” and “How to Get Away with Murder,” and while both shows leave us with Earth-shattering cliffhangers, neither disappoints in terms of drama.

The grass is greener on the “Grey’s” side than it is on that of “Murder,” but there are still lofty trails ahead for all the residents of Shondaland.