Sidney Poitier embodies elegance in ‘In the Heat of the Night’
MGM Studios/Courtesy
Together, Poitier and Steiger tap into the pulse of the nation, capturing the racial tension of the long, hot summer of 1967.
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‘Bright’ dimly offers problematic allegory, uninspired action
Indeed, the biggest takeaway from “Bright” is that racism is wrong, a platitude we didn’t need to hear from white filmmakers Landis and Ayer.
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Beyond race: Experiencing ‘Guess Who’s Coming to Dinner’ 50 years later
In 2017, exactly 50 years after its release, “Guess Who’s Coming to Dinner” was screened at AMC Van Ness 14 in San Francisco.
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