As an independent student newspaper and the paper of record for the city of Berkeley, the Daily Cal has been communicating important updates during this pandemic. Your support is essential to maintaining this coverage.
Yet, there’s no need to fret: Film beat reporters Joy Diamond and Dominic Marziali have found a few quieter releases (some streaming, some not) to put on your map.
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I cannot take these unapologetic misogynists of all genders, who are prevalent in Japan, silencing female voices anymore.
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“Best Picture” is a massive concept that is not properly captured by the rules and logistics in place because it transcends them.
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“The Post” struggles to find a balance between the story it is really telling and its commitment to larger ideologies, such as history.
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For all the college students out there who chose to spend their summer supervising underaged campers, below is a list of go-to camp activities.
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Best Picture Winner: “12 Years a Slave” Runner-up: “No Country for Old Men” “Birdman or (The Unexpected Virtue of Ignorance)” “Moonlight” “Spotlight” “The Hurt Locker” “The Artist” “Argo” “Slumdog Millionaire” “The King’s Speech” When comparing the last 10 years of Best Picture Oscar winners, it becomes easy to narrow down
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Thanks to an abundance of crucifixion statues, we accustom ourselves to death early on, though our tiny bodies can’t yet comprehend the apex of human agony.
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When people think of cities with vibrant film cultures, only two places tend to come to mind: Los Angeles and New York. Which, to be fair, is expected. There’s Los Angeles — the home of Disney, Warner Brothers Studios and almost all other major studios. It’s arguably the entertainment capital
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The Daily Californian needs your support. We need UC Berkeley students to sign this petition by Friday to help us stay financially independent.
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Read to find out which movies the Daily Cal arts staff thought stood out in a spectacular year for films.
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