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Here, the Weeknd has finally managed to effectively blend his vision of sad boy R&B with powerful ’80s synth pop, resulting in his best material since 2011’s House of Balloons.
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While many of Sunday’s Grammy Awards went to deserving artists — Childish Gambino took home an award for “Redbone,” and Kendrick Lamar won four of his seven nominations — the glitzy night was not without snubs. One of the biggest disappointments? SZA, this year’s most-nominated woman, lost all five of her Grammy
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We go to libraries to get work done (well, at least to attempt to get work done). Yet whenever we go to one, there always seems to be at least one person who doesn’t follow the unspoken library code of conduct. These sacred rules should never be broken, and because certain people clearly don’t understand them, we at the Clog would like to put them in writing.
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By trying to fix something that wasn’t broken, The Weeknd, real name Abel Makkonen Tesfaye, breaks it all with Starboy — our hearts, our ears and his soul. Somewhere amid the 18 tracks, we lose The Weeknd, and The Weeknd loses us. But rather than heading off into the elusive darkness
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