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The Duffer brothers have stuck to their nostalgia-pandering, sci-fi meets Stephen King template. And though it should be tiresome, it isn’t.
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The climax may be unsatisfying, but BareStage Productions’ “Carrie: The Musical” is not.
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For the most part, 2019’s “Pet Sematary” justifies its reincarnation with elevated performances and nausea-inducing visuals acting as the foundation for a film rooted in real-life horrors.
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Horror fiction is practically synonymous with one very well known writer: Stephen King. Writing horror apparently runs in the family, as this week’s author, Joe Hill — real name: Joseph Hillstrom King — is actually Stephen King’s son.
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There may be a podcast about everything for anyone, but what all of the successful ones have in common is the ability to connect with the listener on an individual basis.
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The show begs comparisons to both “Twin Peaks” and “American Horror Story,” which are echoed in “Castle Rock” by its adherence to a small-town mentality and a small cast.
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I told Goodreads which books by men I had just read, and Goodreads, understandably, would automatically recommend other books by men.
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“Sleeping Beauties,” a joint effort between Stephen King and his son Owen King, imagines a world where all women are suddenly out of commission, and the chaos that ensues as a result.
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While the newest adaptation doesn’t strictly follow the novel it’s based on, it still does a great job of covering the basis of the story.
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“The Dark Tower” is plagued by melodramatic slow-motion shots set to an overly saccharine soundtrack accompanying entirely unrealistic action sequences
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