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A verbose, genuinely unpredictable shindig, “Sorry to Bother You” marks the directorial debut of hip-hop artist and Oakland’s own Boots Riley.
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Yet by returning to the old format and strategically writing out some of the fourth season’s most lackluster storylines, the fifth season finds its legs.
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They’re back. The washed-out, grungy, mercenary-assassin Expendables team returns to conquer another affluent bad guy in various fictional third-world countries oppressed by military corruption. Despite the change in director, the Patrick Hughes production is yet again reduced to the modern action movie archetype: guns, explosions, action sequences and corny one-liners.
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Adam Sandler movies are certainly not for everyone. His grating, unsophisticated style of humor may immediately turn moviegoers away from anything he does, but even those among us who would rather live a life without froyo than sit through a movie starring the man who brought us “Jack and Jill”
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