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Entering the world is difficult; I’ve felt suspended in a soupy haze that seems to be a common condition. Many things have contributed to my own particular slump. My grandmother’s recent passing is one.
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In a year in which creative and original stories featuring artists of color received critical praise and connected with viewers, it’s a shame that they are not being recognized alongside films and performances that feature mainly white actors.
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Here are the winners of The Daily Californian’s fourth annual Snubby Awards: our picks for the most shocking, sad and suspicious snubs heading into the 2020 Oscars.
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But after a year packed with critically acclaimed, masterful films directed by women, watching the complete shutout stung more than expected.
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The academy’s apparent dismissal of A24’s most recent films, however, does not make the company’s work any less appreciated or beloved.
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Following the 2020 Golden Globe Awards, many fans protested the award show’s exclusion of female film directors. Here at the Daily Clog, we’re looking to give credit where credit is due: here’s a list of ten female-directed movies you should check out!
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Something that we’ve all had to learn by the end of this semester is that being a UC Berkeley student is time-consuming.
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Lulu Wang’s new movie “The Farewell” revolves around the central conundrum of “What is the better way to say goodbye to someone you love?”
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For Wang, truth in “The Farewell” has more intimate ties to replicating a specific sense of experience than to portraying exactly what happened when.
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Largely captured in wide-angle shots, the film effectively interrogates the totalizing, moralistic question “Is lying permissible?” by treating it as a microcosm of cultural principles.
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