‘I’m Your Woman’ drapes middling narrative in good old-fashioned style

“I’m Your Woman” gets quite wrong the things it gets wrong and absolutely nails the things it gets right.
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“I’m Your Woman” gets quite wrong the things it gets wrong and absolutely nails the things it gets right.
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The Academy of Television Arts and Sciences will likely be handing out awards to some long-deserving titles formerly overlooked in the era of “Game of Thrones” and “Veep.”
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For a show set in a sociopolitically turbulent time in the United States, “The Marvelous Mrs. Maisel” does a great job at skimming the turbulence without ever diving in.
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I find that I deeply resonate with a thought from “The Marvelous Mrs. Maisel” lead Rachel Brosnahan: She is tired of hearing the word “strong” as an adjective to describe female characters.
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Although there is tentative proof as to whether high-budget awards campaigning correlates to the number of golden statues won, there is something to be said about the new type of publicity shows get with viral campaigns.
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If TV shows were foods, “The Marvelous Mrs. Maisel” would be pink lemonade at a sunny picnic — sweet, delightful and refreshing with just the right amount of tart.
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We are presently in a golden age of television. It would be nearly impossible for one person to sort through all of the television at our fingertips and decide what is or isn’t the best. This is where the Emmy Awards come in.
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