Wallows welcome vibrancy, wallow in warmth at The Warfield

Wallows prove that sweater vests and pensive cogitation make for a cathartic release of pent-up vexation.
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Wallows prove that sweater vests and pensive cogitation make for a cathartic release of pent-up vexation.
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Stopping in San Francisco’s The Warfield on April 13, Apollo’s performance encapsulated a kaleidoscopic experience. Strutting between polarities of dizzying fervor and poignant yearning, evocative strength bloomed in the artist’s resonant voice and swaying figure.
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Well worth the two-year wait, the future of the Sawayama enterprise is even brighter than it was in 2020.
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A hush fell over the crowd at The Warfield on March 17 as the stage lights flashed brilliantly, with a slow murmur building as the crowd anticipated UPSAHL’s arrival. A spacey psychedelic hum started to play as the pop artist’s two bandmates took the stage in bright orange jumpsuits. UPSAHL,
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Doused in vibrant watercolor lights, Still Woozy transformed The Warfield into a punch-drunk ode to summer — the kind of balmy respite swollen from sap and liquid smooth.
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The artist’s March 5 stint at The Warfield delivered an engrossing set of non-stop infectious house music paired with impeccable stage design.
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Riding off the release of her debut EP Off the Rails, Wallice dedicated the beginning of her set to her magnetizing brand of indie pop.
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While aesthetics may not be her forte, Banks is an artist in every sense of the word.
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Come one, come all, dear cowboys — all are welcome at an Oliver Tree show.
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Besides being a top-notch display of modern jazz, Thundercat’s show was a lecture in lightheartedness.
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