7 reasons why you should take a theater class in college
Rachael Garner/File
Why don’t you challenge yourself by taking a class unlike your normal classes? Here’s why you should take a theater class before you graduate.
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‘Waitress’ at SHN Golden Gate Theatre satisfies sweet tooth
The act of baking a pie lends itself to pitfalls. The filling can’t be too watery; the crust can’t be overbaked; the result can’t be too sweet or too bitter. But in “Waitress,” now playing at the SHN Golden Gate Theatre in San Francisco, the recipe is simple: sugar, butter, flour.
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Jackie Sibblies Drury rattles the notion of spectator in ‘Fairview’
The show, which opened at Berkeley Repertory’s Peet’s Theatre last weekend, began in the home of an upper-middle-class Black family preparing for a big family dinner. The play took place where most plays seem to: inside the homes of the upper-middle class.
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‘The Best Little Whorehouse in Texas’ stomps its way into political discourse
When going to a 1970s musical about a “whorehouse” in Texas, one expects big hair, cowboy boots and slightly regressive attitudes toward lesbians. What one might not expect is a well-aged and upsettingly timely musical that seems to be in direct conversation with the headlines of today.
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Student set designer Alexandra Grabow talks love of design, process for TDPS’s ‘70 Scenes of Halloween’
The UC Berkeley Department of Theater, Dance and Performance Studies, or TDPS, hired a group of Bay Area professionals for its design team on its upcoming production — with the exception of one. That exception is senior theater and art practice double major Alexandra Grabow — the only student designer for the show.
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Roger Grunwald works to keep Holocaust survivor stories alive in ‘The Obligation’
The Holocaust may have happened more than 70 years ago, but Roger Grunwald is making sure it continues to be talked about. At least, that’s one of his main motivations in creating “The Obligation.”
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Our beat reporters say what they love
Every semester in The Daily Californian’s arts & entertainment department, we welcome a new batch of beat reporters. While they will spend the semester reporting on a multitude of different projects and exhibits specific to their expertise, they rarely have the opportunity to focus on their topics on a small scale.
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Ray of Light’s ‘Hedwig and the Angry Inch’ is an edgy rock ballad you don’t want to end
Breaking the fourth wall has never been done so seamlessly as it is in Ray of Light Theatre’s “Hedwig and the Angry Inch.” The punk rock musical, which first gained a cult following when it opened off-Broadway in 1998, only recently gained mainstream attention in 2014 when it premiered on Broadway.
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Picks of the Week: From reef sharks to research slams, things to see around the Bay
Ever wondered what a hackathon would look like if it centered on theater rather than computer science? You’ll have your opportunity to find out Monday, thanks to the partnership between local playwriting incubator PlayGround and The 24 Hour Plays.
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Physical theater in Anton’s Well’s ‘4.48 Psychosis’ adds movement, discomfort to Sarah Kane’s turn-of-the-century elegy
In a piece that draws such strength from simplicity, the Anton’s Well Theater Company production adds complication to the piece in the form of costuming.
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