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The act of baking a pie lends itself to pitfalls. The filling can’t be too watery; the crust can’t be overbaked; the result can’t be too sweet or too bitter. But in “Waitress,” now playing at the SHN Golden Gate Theatre in San Francisco, the recipe is simple: sugar, butter, flour.
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The show, which opened at Berkeley Repertory’s Peet’s Theatre last weekend, began in the home of an upper-middle-class Black family preparing for a big family dinner. The play took place where most plays seem to: inside the homes of the upper-middle class.
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When going to a 1970s musical about a “whorehouse” in Texas, one expects big hair, cowboy boots and slightly regressive attitudes toward lesbians. What one might not expect is a well-aged and upsettingly timely musical that seems to be in direct conversation with the headlines of today.
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The UC Berkeley Department of Theater, Dance and Performance Studies, or TDPS, hired a group of Bay Area professionals for its design team on its upcoming production — with the exception of one. That exception is senior theater and art practice double major Alexandra Grabow — the only student designer for the show.
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The Holocaust may have happened more than 70 years ago, but Roger Grunwald is making sure it continues to be talked about. At least, that’s one of his main motivations in creating “The Obligation.”
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Every semester in The Daily Californian’s arts & entertainment department, we welcome a new batch of beat reporters. While they will spend the semester reporting on a multitude of different projects and exhibits specific to their expertise, they rarely have the opportunity to focus on their topics on a small scale.
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Breaking the fourth wall has never been done so seamlessly as it is in Ray of Light Theatre’s “Hedwig and the Angry Inch.” The punk rock musical, which first gained a cult following when it opened off-Broadway in 1998, only recently gained mainstream attention in 2014 when it premiered on Broadway.
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Ever wondered what a hackathon would look like if it centered on theater rather than computer science? You’ll have your opportunity to find out Monday, thanks to the partnership between local playwriting incubator PlayGround and The 24 Hour Plays.
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In a piece that draws such strength from simplicity, the Anton’s Well Theater Company production adds complication to the piece in the form of costuming.
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One of the most profoundly isolating human experiences is to finish a movie in the theater and, looking to your left and then to your right, discover that you are the only person not wiping their eyes and sniffling.
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