Tom Holland

“Doctor Strange in the Multiverse of Madness” restricts its scope, dismaying as one of Marvel’s most disenchanting projects.

For me, course feedback forms are an art of subtle hatred or bombastic praise. I spend a lot of time on these forms.

This reductive crime drama centers on a complex and ruinously aimless couple — an opportunity wasted on the Russo brothers, victims both of poetic karma and their own tragically inept work.

“I’m Thinking of Ending Things” dazzles and dizzies even its most attentive viewer; the film is a psychological feast boasting richly clever construction and riveting performances.

“The Devil All the Time” constantly revels in sadistic violence for no other reason than to cement the idea that humans are capable of great evil.

From just the synopsis and trailers for the film, it’s clear that the story itself is a unique spin on the portrayal of fantasy quests in movies.

The general narrative among diehards is that Sony needs to “put story over money” — a hypothetical restructuring of priorities that essentially requires Sony to hand over its highest-earning property to Disney, no matter the cost or ramifications.

While references to famed engineer Butler Lampson or physicist Barry Barish may be hard to fit into a conversation, here are a few of the best UC Berkeley alumni in the entertainment world to bring out the next time you see your high school friends.

With “Spider-Man: Far From Home” hitting theaters, it’s only appropriate to look back at the web-slinger’s storied on-screen history and separate the worst from the best.

Aside from a beginning temporarily unraveled by questionable editing choices, “Spider-Man: Far From Home” is able to spin twisty webs of teen romance and superhero drama.