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This is the situation facing Y (Avshalom Pollak) in “Ahed’s Knee” — Lapid’s semi-autobiographical, hyper-stylized rage at his home country’s artistic censorship. Should Y present and accept censorship? Or should he do something about it?
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The ending of last week’s episode of “We Are Who We Are” was a foreboding glimpse into how the outcome of the 2016 election might impact the people on the base.
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Fraser and Jonathan’s relationship continues to escalate on a trip to the countryside, an outing whose nature no one can seem to agree on.
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We still have yet to witness any major plot movement, but questions that were merely implied in earlier episodes are given more explicit treatment in the most recent installment.
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