Oozing the unconscious through butoh

Butoh looked like an outlet to honestly express and release my unwanted attachment to the past. It also looked like a fun way to be the weirdo I naturally am.
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Butoh looked like an outlet to honestly express and release my unwanted attachment to the past. It also looked like a fun way to be the weirdo I naturally am.
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I’ve put in too much work for myself and my experiences to become just another column — just another set of stories.
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I would much prefer to spend my time laughing rather than crying. It’s a nice change of pace.
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As much as I rejoice in spilling my guts to a modest readership of unknown strangers and cheerleader-like family relatives, I halt myself from giving away everything.
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This column has been my little corner of the internet where I can write about my life, but as intimate as it feels, it’s scary how easy it is for anyone to find it.
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We ought to venture inside, to see what vulnerability we can discover within ourselves without the performative exhibitionism encouraged by our world.
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I wear the loves I’ve accrued in every facet of my personality, letting the romances of my life sculpt who I am and what I want. And I’d argue that love creates all the ingredients required for exemplary sex.
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But in the folds of Ma, Banhart’s theatrical indie rock is less temperamental and vastly more refined. In short, vulnerability looks great on Banhart’s music.
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Why don’t you challenge yourself by taking a class unlike your normal classes? Here’s why you should take a theater class before you graduate.
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There was a lot of pizazz to the concert — pulsing lights, intricate stage design and even pyrotechnics helped to keep the energy high.
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