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What becomes increasingly clear throughout these sketches is the show’s emphasis on screen time for some candidate impressions over others.
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After seemingly endless beating around the bush in terms of which leads are real and which are false, the conclusion to the Purcell case is finally appearing on the horizon.
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When I went to go see “Solo: A Star Wars Story” the other day with my best friend, I can’t say that I held the highest hopes for the film. It’s pretty hard to get past the fact that, no matter how good of an actor Alden Ehrenreich is, he’s never
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“Star Wars” fans were always wary of a Han Solo spinoff, given the franchise’s considerable history with bungling backstories. But here we are.
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With the general consensus that there were no major snubs in this year’s Academy Awards nominations, category predictions become all the more interesting.
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Even though the Academy Awards are distinguishable for nominating boundary-pushing films, the fact remains that some films and artists were simply snubbed.
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While the stunning LGBTQ+ love story “Call Me By Your Name” garnered four nominations, it was snubbed for nearly just as many.
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There lies the undeniable truth that the onscreen version of “The Glass Castle” does not live up to the potential of its source material.
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“War” has every right to be confident — it is the best trilogy finale since “Toy Story 3,” maybe even since “The Lord of the Rings: The Return of the King.”
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Few high school films in the last decade understand what it’s like to be a teenager in this day and age; either they invest too much time in a ridiculously clichéd love story that fails to see the reality of teenage awkwardness (think “A Walk to Remember”). Or they try
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