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So I’m looking forward to The Internet’s new album releasing Friday, “Hive Mind.” Take Monday to catch up on The Internet’s past discography in preparation.
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Whether you want to see one of the year’s best architecture exhibitions or listen to a new release by Courtney Barnett, this week’s picks have you covered.
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With a perfect combination of old favorites and brand new works, “The Christmas Ballet” is a delightful holiday tradition to come back to year after year.
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It’s no secret that the Bay Area is the most expensive metropolitan area in the United States. It’s also no secret that it’s home to all sorts of exciting adventures that you can take, even on a budget. With this week’s picks, all guaranteed to cost $15 or less to
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Entering choreographer Sara Shelton Mann’s durational retrospective at the Yerba Buena Center for the Arts, “Erasing Time,” was much like entering a serene and vibrant dreamscape. Mann’s almost five-hour long “play within a play within,” which took place Dec. 4 and 5, delved into time and shattered the concept of
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At the entrance, thin, baby-blue sans serif font is plastered on a strip of white that is juxtaposed against a blue wall. The sign reads, “Office Space.” There are two brand new, paper-thin iMacs that sit on the table in the front. Not one exhibition label is out of place.
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“Radical Presence,” an exhibit displaying the works of contemporary black performance artists from the United States and the Caribbean, opened at the Yerba Buena Center for the Arts on Saturday. The opening ceremony marked the YBCA as the first and only West Coast venue to house the collection. The exhibit
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In the dissident future, saints will be canonized by men in nun’s habits acting out of joyful compassion and sinless bliss. In this same future, impeccable clothes will be mined out of the garbage and cut by artists into images of the Sun God, Father Time and various gender-queer goddesses.
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Now, according to the former editor of “Wired,” Chris Anderson, there is a third revolution that is a combination of those that preceded it. It is the “Maker Movement,” and Anderson is just the guy to tell you about it.
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In “Audience as Subject, Part 2: Extra Large” peasants become U.N. diplomats, Muhammad Ali is erased from film footage, and mosh pits are recreated. These are all a part of a new multimedia group show at the Yerba Buena Center for the Arts that examines our human nature both as
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