Zellerbach Hall

Although the original score was written for an orchestra of flutes, oboes and a variety of other string and wind instruments, Kavakos, Ax and Ma offered a fulfilling rendition of the symphony; the addition of other winds was volitional.

Holding eye contact with someone often provides reassurance that we are seen. But as someone who manifests a version of myself based on that look in the eyes of those I love, I’m terrified I’ll blink and miss what they see in me.

To call “EDEN” simply a rendition of DiDonato’s own album is imprecise — this is because, among other things, “EDEN” is an experience of creation, education and music, culminating into a performance that transcends both time and place.

Seong-Jin Cho’s airline may have lost the luggage carrying his concert suit on the way to Berkeley, but the world-class pianist was no less dazzling on the stage of Zellerbach Hall.

“13 Tongues” eluded definition like a trout squirming from a fisherman’s hands and returning to sea.

In “Symphonie Fantastique,” the first program of a Halloween-themed trilogy, the San Francisco Symphony’s foray into the spooky and surreal astounded with its striking repertoire and stylistic charisma. 

Apparent in their flawless delivery of the night’s program, Vengerov and Osetinskaya’s chemistry was unmatched.

From pottery to unique light fixtures, Berkeley’s small businesses are coming together to celebrate Bay Area Manufacturing Week, opening their workspaces to the public.

Fresh from the Sunshine State, the Miami City Ballet beamed starlike upon Zellerbach Hall on the opening night of Sept. 23.

Take advantage of everything the UC Berkeley campus has to offer this semester and complete this bucket list along with us.