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With “Spider-Man: Far From Home” hitting theaters, it’s only appropriate to look back at the web-slinger’s storied on-screen history and separate the worst from the best.
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Aside from a beginning temporarily unraveled by questionable editing choices, “Spider-Man: Far From Home” is able to spin twisty webs of teen romance and superhero drama.
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The theme for Monday night’s Metropolitan Museum of Art Costume Institute Benefit was “Heavenly Bodies: Fashion and the Catholic Imagination.”
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There is no excuse for this continued resistance to diversity. Everyone should have heroes who look like them. Every kid deserves that.
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“The Greatest Showman” is a clichéd, overcrowded but nevertheless competent musical. The film’s sugary sincerity should work to its benefit.
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It’s the height of summer, but theaters around the Bay Area are currently resplendent in a wide variety of amazing pictures right now, from tentpole superhero movies to quiet, meditative micro-budget films
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The normalcy of Peter Parker (excellently portrayed by bright-eyed Tom Holland) carries this film and helps create a new blueprint for superhero movies — movies more interested in the lives of all of the people, rather than the spectacle of putting those lives at stake.
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Nathan Lee sits across from me on the bench as we both scarf down a late dinner. Inside the theater across the street, our dance group’s tech rehearsal is underway for our big shows that weekend. He’s a very different person than the guy I met freshman year — more
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